What I Watched This Week: One Day at a Time, Legends of Tomorrow, Constantine

After beginning to readjust myself to non-holiday hours and get up before 10:00AM and back to 8:30AM like I’m suppose to I’m beginning to hash out an after work schedule. This mainly means writing article ideas in my notebook, or catching up on movies and television I’ve missed. Or playing on my 3DS and beating Legend of Zelda: Ocarina of Time (I will win!). Or catching up on comics; see why I need an after work schedule?

Anyway, this week I watched three shows mainly: Legends of Tomorrow, Constantine, and One Day at a Time. I’ll break them down into parts.

Constantine – Episodes 1 – 3

Property of DC Comics and NBC

Property of DC Comics and NBC – this cover alone is grossly cheesy

Okay so I know I’m a year or two late for this show but I was given this as an assignment for a project happening next week (more details to come I’m just a huge tease). So I finally sat down, and began watching the season on Amazon.

Boy was the first episode awful. I mean there’s rough-around-the-edges and then there’s just sloppiness. The Constantine Pilot was outright sloppy. The opening scene was hard to get through given the choppy cuts, and exposition dumping they did on the audience off the bat. The rest of the episode wasn’t as bad but it didn’t get much better either.

The lead female character was boring and predictable which is why I guess the reason they wrote her out. That was one of the episodes main issues, the very obvious rewrites. The original female lead was written out in such a sloppy way it was near laughable. The action was poorly done, with little scares and cliched horror elements. Overall it felt neutered in a lot of ways. The best part of the episode was the ending. It had a completely different feel than the rest of the episode. Constantine walking down a dark alley, setting his hands on fire ready to spit and punch demons in the face, transposed into an image of a lone woman drawing iconic images of Hellblazer? That was fantastic. It felt comic book-y without being forced or campy.

That being said, the next two episodes were an improvement on the Pilot. Zed is a much more interesting and engaging leading lady than the Pilot’s character. She’s also Latina which is always a win for me. Matt Ryan felt much more at home in his role than in the Pilot and I like Charles Halford as Chas so much more than the film version (I actually don’t loathe the film it’s just a terrible adaption of Hellblazer). I also really enjoyed Harold Perrineau as Manny the Angel. I hope he plays a bigger role in future episodes.

There were some actual genuine scares in these two episodes even if they follow a rather formulaic process. I hate to say Constantine is similar to Supernatural but you can tell Supernatural took a lot of cues from Hellblazer comics than just Castiel’s coat. What’s a shame is I think Constantine could be a fantastic horror film, but only if it’s rated R. Constantine just seems like the type of character that works best and pushes the boundaries when restrictions are lifted off his canon.

Still, the show isn’t terrible (except for that god awful Pilot). I like Ryan in the role of Constantine, I can see why he’s such a fan favorite and I’m glad to see he has such an attachment to the character.

Things that bothered me were some standard sexism, and racism in the show. I thought the Evil Mystical Romani (or in the show G**sy woman cause “there’s nothing darker than g**sy magic” really show?) was unnecessary. Especially when earlier in the episode the character had some clear coding as a domestic violence victim. I wasn’t in love with how Papa Midnite was portrayed either. I didn’t like how the show demonized voodoo and of course Papa Midnite is a drug dealer with no morals? And his two henchmen are also moral-less thugs? That all was really bothersome and unneeded.

Hoping the rest of the season avoids these aspects and continues to improve in quality.

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#BeingLatinxInComics – Get To Know El Diablo; A Resource Guide


Chato Santana was the ruthless and powerful leader of a dangerous street gang in Los Angeles who gained pyrokinetic powers following an encounter with Lazarus Lane. After a rival gang sold drugs on his turf and refused to give him a cut, Chato attacked them at their home, setting the building ablaze. Entering the building, he found that not only the gangsters, but also a woman and children, had died in the blaze. Distraught, he allowed himself to be taken into custody.

Character Breakdown:

Comic Appearances:

El Diablo written by Jai Nitz and art by Phil Hester

The haunted horseman returns to the DCU in a six-issue miniseries! Who is Chato Santana? A ruthless ganglord or a modern-day Robin Hood? Caught between the law and a power struggle in his gang, Chato meets Lazarus Lane, an impossibly old man with a possessed past. Witness this tale of rebirth, revenge, betrayal, justice, Hell, comeuppance, curses, and consequences.

Read it on Comixology

New Suicide Squad – #17 – 21

Following the events of Forever Evil, the US Government is aware of Amanda Waller’s “Task Force X” project, and co-opts the Suicide Squad to act in the interest of the US in situations that seem like the villains are just committing standard acts of villainy.

Read on Comixology

Suicide Squad N52 – #1 – 5, #8 – 16

A “New 52” initiative book featuring a reformed Suicide Squad. Team members include Harley Quinn,Deadshot, King Shark, El Diablo, Black Spider, and more. As with previous incarnations of the team, the Squad is run by government agent Amanda Waller.

Read on Comixology

Sean Ryan (W), Jeremy Roberts (Art)

Sean Ryan (Writer), Jeremy Roberts (Art)


From the pages of SUICIDE SQUAD comes an all-new series featuring two of the team’s most infamous heroes, El Diablo and Boomerang! First, a sudden pardon frees the fiery El Diablo from Belle Reve prison, much to the shock (and irritation) of team leader Amanda Waller. Chato returns to his old neighborhood to reunite with his family, but when he’s attacked by a heavily armed local gang and their leader, the deadly, super-powered Bloodletter, will his freedom and his life get cut dramatically short?

Read on Comixology

Cover by: Mike Huddleston & Rico Renzi

Cover by: Mike Huddleston & Rico Renzi

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Next Being Latinx In Comics Chat is on August 27th starting at 12pm EST. Follow me on Twitter for any updates or for more information.

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